Archives For digital content

That’s me. People will ask me if I’m watching which and what show, and I would usually say that I really don’t have time to watch much television. However, the past week I’ve been catching up with my “to watch” list and inundated.

I watched one single episode of Prime India’s Jubilee, which I’m looking forward to finishing. And I just binged through Apple’s Pachinko. I’m usually hit or miss with Kogonada (After Yang was excellent), but my only complaint about Pachinko is that I really wish American series would do their just one off series and not make me wait for two or three seasons.

I’ve also just started Nicole Kidman’s Nine Perfect Strangers (after going through Hulu’s Tiny Beautiful Things with Kathryn Hahn). Going though Showtime’s The Good Lord Bird, and have been catching Demon Slayer episodes, as well as rewatching shows like Cowboy Bebop and Orange Days (went through Tiger & Dragon, as well as Quartet a while back). Picking up old school Trigun, and planning to finally go through Emily Blunt’s The English and FINALLY trying to get through McQueen’s Small Axe.

Not even counting that I really wanted to watch that Prime The Underground Railroad series.

So Long, My Xiami

January 6, 2021 — Leave a comment

Greetings, my fellow lurkers, if you are lurking still. Knowing that I haven’t updated anywhere and I’m hardly active on social media, I just wanted to say that I haven’t died and haven’t been swallowed by the Earth. I hope 2020 didn’t wreck you, and that 2021 finds you in a more… calm path.

As I sit here making plans of wanting to do a lot of things, and then getting nowhere, I reminisce the days of internet freedom when roaming through websites was like the wild west. And that’s when I discovered Xiami— according to WP word search find, the earliest mention of the music site on the blog dates back to 2010… with an even older mention of forgotten HaoTing. lol Since then, over a decade ago and many an indie Chinese music discovery, Xiami had been part of my daily life for thousands and thousands of days.

I took a screencap for posterity! My Xiami account was supposed to last until the end of the year, and then an extra 4 months.

So it is with great sadness, but hardly any surprise, that I report that Xiami will be no more… on February 5th this year, to mark my 35ths birthday, nonetheless. End of an era for my music streaming, end of the era… of my youth, I suppose. With my only consolation prize that a lot of Chinese music is already available on not only iTunes and Spotify, but also on YouTube. I just need to re-find them and subscribe to whatever their channels are. It will be, of course, a lot more difficult to discover brand new Chinese music.

Oscar Ballot 2020

January 13, 2020 — Leave a comment

I’m probably two weeks ahead, compared to my Ballot posting last year, which means my Independent Spirit Awards ballot is still halfway done, but my Academy voting ballot is pretty complete.

I might end up watching The Two Popes, but all I’m really waiting for to open in theaters is Bombshell (which opens this Thursday), Little Women and 1917. Harriet is never going to open down here, but I really got a soft spot for this type of movies.

I’m really REALLY surprised Girl in the Hallway didn’t make the cut. You can watch the short on Vimeo.

Happy late holidays and New Year, everyone!

My most awaited Letterboxd e-mail came yesterday with my 2019 movie-data. Though my writing input has definitely not improved, cutting down on Mamamoo stuff has increased my movie watching habits, for sure.

Compared to 2018, I logged 480 films (though over 50 or even many more could be short films), which represents a 23% increase. In terms of hours, there was an increment of over 100hrs or 16%. This increase still doesn’t match my 2015 levels, when I reached 530 logged films (9.5% short) or clocked 959hrs (14% short)… but it’s getting there. I am still at 2017 New-To-Me level of movies, though.

My most-watched actor was Glenn Close because I went on a marathon of her movies because I really thought that she could win the Oscar, not that I wasn’t pleasantly surprised to see Olivia Colman win for The Favourite. And Francois Ozon was my most-watched director because MUBI programmed many of his films, including Les Amants Criminels, Water Drops on Burning Rocks, Young & Beautiful, and L’Amant Double.

And as my writing output has been so poor, I haven’t written any End of the Year (or Decade) posts. Gomen.

I’m ready to vote! I received the most digital screeners this year so far, so it’s been easier (and it’s made it lazy-proof) to sit through dozens of screeners. Plus, Netflix has a lot of the nominated movies readily available too. This year is possibly my best award season ballot in my history of keeping up with ballots. lol

It’s not only my Spirit Awards ballot~

I also have a pretty complete Oscar ballot. lol

Continue Reading…

After years [1][2][3] of data; Yes, it’s Mamamoo’s fault. The positives, though, I have registered 31 more hours than I did last year with an extra 18 movies. My movie-watching in general got better because I managed to watch 132 brand new 2018 movies (compared to the 103 in 2017).

This year, I didn’t make any particular movie goal. Though, some of my favorite movies this year were Indian, as reflected by my latest highest ratings. No one has been able to surpass my love for Rene Liu’s Us and Them so far, though. It’s been an incredible year for… not movies made by Netflix, but they have expanded their distribution library enough to make it interesting.

My goal for this year is to increase the titles I watch; seeing that from this interview at Film Independent, the guy from IMDb states that “You should feel disappointed if you haven’t seen 700 movies in a particular year [laughs].” O.o I don’t feel half bad about registering half the amount of movies the guy from IMDb watches. Just saying.

I’m not a social media fan, though I do spend a lot of time posting links on the YAM Magazine Twitter account. Less active on Facebook, though I regularly use my own profile. No Instagram or any other site. I’m mostly active on movie websites— still active on IMDb, because they make searching for stuff easier [year, country, language, etc. filters], still active on MUBI (and helping with profiles and database submissions), and Letterboxd coz they help keeping an orderly diary of movie-watching.

No longer have music sites, and Living Social FB apps have long gone.

I’ve always been reluctant in creating new profiles, new accounts, new emails and different passwords. However, my level of obsession with Mamamoo has reached such point that I finally logged in V Live with my real-life identity, and though I’ve only left like 3 or 4 comments (so far), I’m a Level 5. Each artist you follow starts with a Level 1, adding points by watching videos, leaving comments and who knows what else, but I digress~~~ I wanted to comment on V Live as a platform. I’m amazed by it. I don’t exactly know why. I’ve seen countless of web stream concerts [1][2], I’ve seen a couple of Facebook Live sessions, but somehow V Live sessions make me feel closer to artists.

Of course, they can start a random session just like in Facebook, though FB is always a 1:1 ratio, no? There’s comments, and the artist can actually reply to your comments, which is something V Live doesn’t have since comments are live, they scroll as they keep coming just like in a YouTube stream. But YouTube streams always seem so impersonal, more like online TV broadcasts, which is actually GREAT for TV broadcasts [KBS World 24][KBS World]. Add to V Live multi-camera broadcast, HD quality, multilingual subtitles and there’s just this added something to it.

I recently saw Brown Eyed Girls’ JeA’s Orgel Live with JOKER, a 50-min multi-camera phone shot in portrait. I didn’t watch it live, because the show began at 6AM, but the replay was available quite fast — in probably just a few couple of hours — with subtitles in English, Chinese, Viet and Korean; and available auto-translate for others like Spanish. They started reading some of the comments, I lamented not being able to say hi to JeA [this is what I’m talking about], and proceeded to perform a couple of songs, while also going through the live comments.

Fans are also allowed to give ‘hearts.’ Though, I haven’t actually figured out how to give hearts (it’s not by clicking the heart icon, lol), I supposed it’s just pasting hearts in the comments, and that’s why users can give multi-hearts all around. Since a video can have 200k views and one million hearts. :P

And apparently, if you have the V Live App, you can chat with your faves. I don’t have mobile, so……………….

jea-joker-live-v-live

If you could do this for movies, it’ll be amazing. About 8 years ago, I wrote a proposal for screening movies like this xD but I didn’t know how to go through with it. Imagine you have a screening event, fans gather online 30min. before the movie begins, they chat among them. The movie streams, and afterwards there’s an online Q&A with the cast/crew. Because videos from the Q&A and the movie to be screened are different video sources, you can only have the Q&A available for replay instead of the movie.

See? Someone make it happen.

1000 Days of Xiami

October 10, 2016 — 1 Comment

I’m about to clock 1000 days on Xiami logins xD

xiami-1000-days

Sad for this excitement, I know. LOL But I get obsessive-compulsive over these things easily. I took a screen grab because I don’t know whether the count will reset to zero or continue. Back in March when I went to Japan, I told my friend to login for me, so I don’t lose my clocked days, and there was a weird bug that made the counter go back to zero, so we thought for a while that it was done. A couple of days later, it went back to normal :P

I’ve been using Xiami for a lot longer, of course. And gone are the days when you could find everything on the site for stream and download :P Though you can still find stuff and download, it’s often the case when albums are empty. Recently, Xiami has taken to just be able to stream music (which is better than having blank albums), without download capabilities— Faye Wong’s most recent track is only available for stream, so you gotta find it elsewhere if you want it. The site is still a great source for Chinese music, especially from the independent scene. However, now Xiami-approved artists are allowed to mark their music as only-Mi tracks, meaning that you have to have Xiami credit on your account and not download music from your VIP free-tracks perk or use your red envelopes (points).

Having said that~~~ I have like +500 points (you get points for single days and months counted, albums added and music shared, etc.) and haven’t used them in so long. What the heck~ What are the perks of the VIP account if you still gotta pay for the Chinese music that you download; at least make it so that you use twice or thrice the # of downloads for those.

I still haven’t figured out what the note reputation is (eg. Re*), but I’m just a few hundred away from reaching the other level. Increasing my stars is a little trickier because English reviews don’t get as many likes or comments. lol

Also~ OMO! 1000 days on the 10 of 10. xD

Yup, once again~

Back in 2010, the YAM Magazine website was launched officially— it was my grandpa’s 5th death anniversary. Today, it’s his 10th year anniversary… also it’s the 5th YAM web anniversary! Numerology galore~~~

Anyway~ I posted my 2015 music highlights~ early, once again. There were a few albums of my biases, but most of these picks are new people I’ve begun following this year. So… happy listening!

amys-2015-music-highlights

The end of another era [1][2][3], I suppose~ xD

rapidshare-2008-2015-rip

I had never really been a RapidShare user, though had encountered the site several times over in many of my movie/TV journeys, but they’ve always been a pain for me. It doesn’t surprise me that bandwidth caps (for both free users AND PREMIUM), limited speeds and incredibly annoying waiting times that got longer and longer with captchas decreased users and traffic to finally put it out of business.

The relationship with cloud and file-sharing services with the DMCA or MPAA is a strange one. No matter what these services do to please them, it’ll never be enough.

source.