Archives For Reviews

Didn’t love the Britney episode. Heather Morris can dance, but not dance and sing. My fears were confirmed – Brittany’s on-liner awesomeness is too much to handle on one episode. I couldn’t even laugh that her name is Brittany S. Pearce. And despite her having a great performance on Slave 4 U — inlcuding VMA 2001’s Birmanian python, yup I watched a lot of Discovery Kids as a kid — I just didn’t care.

Actually, Brittany and DentistStamos was just… so awkward. LOL Same with Me Against the Music.

My fave of the night was Toxic at the assembly because it was the only song included in the storyline without drug-inducing the characters… and Artie’s Stronger – sound-wise – it was the most like the original song. But yay! Emma and Terry are back!

I didn’t find any particular quotable quote, but here’s the line that reminded me of the WB’s Popular with April Tuna, Emory Dick. I’m pretty sure Ryan Murphy is the only man on American television that’s constantly using the word “frottage” on national/international tv.

Becky: Hey, Coach! The Glee Club is doing Britney Spears for the assembly, I just found out.
Sue: Becky, you’re on Red Alert. If you see any awkward teenage frottage perform that citizen’s arrest we practice.

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Memoirs of a Teenage Amnesiac, adaptation of the novel by Gabrielle Zevin of the same name, or Dareka ga Watashi ni KISU o Shita (literally translated to I Kissed Someone) is the Japanese adaptation of said American book starring popular Japanese actors/idols Horikita Maki as the lead Naomi Sukuse (in the book Naomi Porter) who falls down the stairs, hits her head and loses the memories she’s recollected for the past 4 years, including her best friend Mirai Hasegawa (in the book Will) played by idol Yuya Tegoshi from boy band NEWS, and her American boyfriend Ace Zuckerman played by Anton Yelchin.

Gasp! Say what? Americans and Japanese young actors together in a Japanese film of an American book? Yes, that’s right. Because Teenage Amnesiac also includes actor Kenichi Matsuyama (recently seen in Norwegian Wood), and none other than the young Emma Roberts. So yeah, the roles have inverted. And how do American fans of the book feel about their beloved book being made in Japanese? Well, a lot of them aren’t happy about it… or at least, they weren’t happy about it. Talks about how “pointless” it is to change the setting, or how not “into Japanese” they could be. Even though the one involved in the making of this was the book’s author herself, and it was probably done because the book was such a hit in the country.

Sure, it’s just internet talk. However, it reflects the sentiment of *insert nationality* whose film/books of their home country get remade/adapted in America/etc. not-a-language it’s supposed to be. So we do understand your sentiments, and here’s to hoping you guys understand when it happens the other way round again and again… and again.

As for the film… well, suffice to say that I feel too old to be watching this. Kenichi Matsuyama should feel too old for this too. Maybe if I were 10 years younger – OMG, I’m that old – I could have maybe connected more. No scratch that, I felt like the characters were Mary Sue’s or Marty Stus… or whatever the male form of a Mary Sue is. Surprisingly, in a bad way, Anton Yelchin is a bit of a jerk in here. He’s literally your typical American jock… only he plays tennis. LOL Poor Naomi’s lost her memory, and all he can think of is getting laid for Prom?

Naomi’s other suitors are the Martys Stus, one playing the best friend from the yearbook commission. Mirai is dorky, well-natured, cares for Naomi… and well, that’s just telling you straight in your face that he’s the one. Then there’s the dark brooding opponent Yuji (Matsuyama) who rides a motorbike, works at a projection house where he watches foreign art house films, photographs Naomi for a play, and actively pursues her as she ends her relationship with Yelchin’s character. Yuji is what you know it’s bad but you still want to see what’s going on with him. In a dark indie film, Naomi would have pursued Yuji and ended up badly. In a fairly mainstream drama, she’d pursued Yuji and ended up fixing him. This is a romantic drama for teenagers, so you’d do the math.

I don’t think I’ve ever seen Horikita Maki in anything else, but she seems like an average lead in here. And Emma Roberts is terribly underused in this.

2.5/5

Also can you believe Yelchin is the youngest in the cast? Gosh these Asians genes. Wait till we turn 60~

I’m taking a wild guess here, I’m really confused with all the nicknames in the comments, but I’m guessing Southsideirish is Bill (you can change your name in the Intense Debate profile, you know xD), so… I finally took time to watch 2NE1’s presentation he recommended – in… Sketchbook?

Plus, I also took some time to listen to their debut album, and like I commented when they released their 3 singles, I’m giving the album a passing grade already. However, I’m doing so just barely. I’m giving them a 3/5, which is more than I could say for the likes of Rain or even Taeyang. xD But why is that? After all, I did love Try to Follow Me and Clap your Hands. I’m all over those two, and I’m partial to Go Away and Can’t Nobody. The rest of the album? It just sort of felt kind of bland, and I’m not counting the remixes. Can’t Nobody is so processed that I can’t even understand what they are saying, and if I give Kanye flack for it, I’m giving 2NE1 flack for it too. LOL

2NE1 defends themselves vocally, but they’d better be prepared when autotune begins wearing out. I am not convinced they could kill it vocally, or in a 100% full-on Michael Jackson-worthy choreography. 2NE1 is cool, it’s fun, but I don’t think I can see them here once Bom and Dara hit 30.

Give me a performance where 2NE1 kills it Acapella style a la Acapella Candy Man from Brown Eyed Girls, and I’ll eat my words. Same with the dudes of Big Bang – I know Daesung can sing – but can all of them kill an Acapella performance together as Big Bang?

And… is it me, or is Minzy the lovechild of Daesung and G-Dragon? There, I said it.

My fascination with Greta Garbo made me pick up this book. Author Diana McLellan – a writer of the Washington Post, hence… journalist? – tells me she’s written the book with accounts of stars’ memoirs, FBI and CIA documents and everything in between and around the people involved in this book. However, I decided to read this from the point of view of a fanfiction reader.

Now, I have never read (or written) fiction based on real people, but I’m aware it exists. In The Girls, there’s so much stuff going on – let’s say “so many characters” – that you’ll get confused of who’s who from time to time. If you’re already familiar with the names — besides Greta Garbo and Marlene Dietrich — you’ll be more than fine probably.

In it, McLellan says that Garbo and Dietrich met on set of The Joyless Street, which goes uncredited on Dietrich’s filmography even to date on IMDB even as the author states that there’s an interview in which Marlene talks about a crucial scene that was eventually cut from the film, and that they had a fling that ended so bad that would define the rest of their lives. Then, throughout the whole book, they begin explaining how was Hollywood during the 20s and early 30s, and what events began changing the perceived morality of that era… bringing on the Hays Code. It deals with Marlene’s supposed husband, a spy named Otto, who worked for the Communist Party as the Nazis were taking over Europe. And just like in movies, war, spy stories, people using each other and so on… the book also deals with loads of sex. It talks about how gay Hollywood was. Or I guess… how lesbian it was or how bisexual. It turns out everyone I watched on old films was not completely straight. LOL

The book contains so much drama, and recounts anecdotes of so many celebrities of the time, that’s when I began thinking that it might be a little too adorned to be completely true. Of course, there’s that bit about what truth hides behind the lies they tell you on official biographies or approved releases. Or something about the lies hidden behind the “truth” they give you. It was just a little too much fun to read all these encounters. My favorite being that of Greta Garbo and Joan Crawford – how these details are known, not entirely sure – because I love the both of them.

During Grand Hotel, she [Crawford] said later, the two passed on the stairs one day, and Joan was so overcome that she lowered her eyes. Garbo blocked her way with an arm, gazed directly in her eyes, and crooned, “I am glad we are working in the same picture.” Joan reported that Garbo “took my face in her hands and said, “What a pity! Our first picture together, and we don’t work with each other. I am so sorry. You have a marvelous face.” Her knees went weak, Joan related. “She was breathtaking. If ever I thought of becoming a lesbian, that was it.”

Chp. 24 – Flirting – “Her Knees Went Weak”
pg. 152-153

That’s from that famous Garbo/Crawford not-getting-along report I’ve so much read about. I mean, I really REALLY loved Crawford when I saw Grand Hotel — included in the Garbo Collection — that I ended up buying the Crawford Collection. LOL So I pretty much agree with Garbo’s possible comments on her marvelous face. xD

As for Marlene Dietrich… Wow~ her chapters, I thought I was reading one of those cheesy romantic novels that grown married women read. LOL She really REALLY got around. With a lot… and I really mean A LOT of people. It’s like… she was older than any of my parents, and she was still getting some. Disturbing, but true. LOL

Marlene tore down Edith’s panties backstage in a Berlin theater and, using just her mouth, brought Edith’s to orgasm.

Chp. 9 – A Swede Steams In – “Using Just Her Mouth”
pg. 62

Even her daughter Maria was afraid her mom would sleep with her fiancé. xD

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xD

I finally saw Bandage, after being on the “to watch” queue for…  nearly a month. I didn’t know it was produced by Shunji Iwai — same thing with HALFWAY, but we’ve already talked about that one (so disappointed, btw. Best thing there was Salyu’s ending theme, which is included on Maiden Voyage so you don’t even need to purchase the OST) — but I digress~~~ Bandage was, I feel, better than HALFWAY… but not for much.

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Now I understand why Undertow has been winning audience awards everywhere, it plays with your bobito (heart). And comparisons with Brokeback Mountain seem to be inevitable, since they are both dealing with a “gay” thematic in a setting not usually linked to “gay behavior” and they both have to deal with extramarital affairs, but they are little alike.

In Undertow, Miguel (Cristian Mercado) is a fisherman in the small town of Cabo Blanco, Peru, where he is having a baby with his wife Mariela (Tatiana Astengo). The model citizen, a good husband, and well-liked by everyone in town, no one knows that Miguel is having an extramarital affair with Santiago (Manolo Cardona), an artist who’s visited the place since he can remember.

As the melodrama unfolds, writer/director Javier Fuentes Leon doesn’t really take us nowhere we’ve never seen before — if you’ve seen many LGBT-themed films that is, except with that bit with Santiago’s destiny, where the Magic Realism finally kicks in. Ultimately, the film is just a love story, which on one side makes you wonder how well the story would be received if it didn’t have a gay relationship at its core, and on the other side you’re presented with a gay relationship that’s as normal as any heterosexual one.

Undertow will probably get placed next to other LGBT favorites in the following years — once more people get to watch it — right next to crowd’s faves like Brokeback Mountain, Shelter, Where the World Mine, Imagine Me & You, and Show Me Love.

The acting is strong by the three lead actors, being able to carry the whole film in its 100 minutes of running time. The strongest moment in the film was perhaps better condensed in the song by Celso Piña featuring Cafe Tacuba, Aunque No Sea Conmigo, used in the trailer and the film for the line of “Quiero que seas feliz, aunque no se conmigo” (I want you to be happy, even if it’s not with me).

Visually, the film delivers some hunting scenes — I still believe Ricardo de Montreuil (La Mujer de mi Hermano, Mancora) is visually better in his work with his advantage work on some very high profile music videos in Latin America… so how about a collaboration, guys?

3.5/5

Here’s some reading material ;P

YAM011 is READYYY!!!

August 15, 2010 — Leave a comment

I just spent nearly 2hrs. posting this somewhere else, and I still need to email everyone. LOL

Without further ado,

YAM011.

La Casa Muda (2010) – aka. The Silent House
Genre: Horror, Suspense
Directed by: Gustavo Hernandez

The Silent House tells the story of Laura, a young woman, and her father who decide to install themselves in their country house to fix it for sale the next day. At night time, Laura hears noises, so her father decides to check it out without ever returning.

The film, directed by Gustavo Hernandez, is supposed to be based on a true story from the 40s — I can’t tell for sure, though. The Silent House is very stylish, with prime photography, and nice sound design. The acting is fine, and it all should make a pretty good film, except it isn’t that great. Sure, the film is supposed to be a horror suspense, and it is in the beginning, but it gets boring 30 minutes into the film with repetitive running around, and cheap thrills without moving the plot… or lack thereof.

In the end, there’s a big reveal… of sorts, which isn’t that surprising. However, the lack of plot is just too much for a one 78-min-long shot — was it really one shot? It seemed like a DV camera, so it’s possible. Like I said, The Silent House looks really REALLY good, but that’s it.

2.5/5

COMPETENCIA OFICIAL – FICCION

Screenings:
Monday 9 – 8pm – Cineplanet San Miguel – Sala 1
Tuesday 10 – 5.15pm – Cineplanet Alcázar – Sala 1
Wednesday 11 – 3pm – Cineplanet Alcázar – Sala 5
Thursday 12 – 8.30pm – Cineplanet Risso
Saturday 13 – 8pm – Centro Cultural Católica – Sala Azul

Agua Fría de Mar (2010) – aka. Cold Water of the Sea
Genre: Drama
Directed by: Paz Fabrega

Cold Water of the Sea tells the story of a young couple about to get married that go on a holiday trip to a tropical “paradise”, when they run into a girl who seems to be lost in the middle of the night. When they try to find her parents, the girl has long gone, which creates a bizarre connection between the girl and the woman.

Perhaps Cold Water of the Sea’s best feature is its locations in the “exotic” beaches of Costa Rica, because neither characters nor situations live up to anything. It’s not as if we wanted high tension drama on this, but we at least expected to sympathize with the characters. However, we end up knowing little about them, having spent a bit less than 1.30hr into these people.

A lot of the time is spent on the little girl, who tells the couple that her whole family has died in a transit accident, when in fact they were alive. Why is that? “Kids are like that” stated the mother, but why did she come up with something like that? She is certainly more than a spoiled brat, treated differently from her three older brothers by her dad. There are certainly hints of Electra Complex in the girl, but nothing is explored. Instead, director Fabrega decides to make some sort of distinction between social classes? Just because one side of the story is set with a poor family at the beach, and the other of a well-off young couple at a fancy resort?

2/5

COMPETENCIA OFICIAL – FICCION

Screenings:
Monday 9 – 3pm – Cineplanet Alcázar – Sala 5
Tuesday 10 – 8pm – Cineplanet Alcázar – Sala 5
Wednesday 11 – 8pm – Cineplanet San Miguel – Sala 1
Thursday 12 – 10pm – Centro Cultural Católica – Sala Azul
Saturday 14 – 8pm – Cineplanet Primavera – Sala 1

José Martí: El Ojo del Canario (2010)
Genre: Drama, Biography, Historic
Directed by: Fernando Perez

FYI: NOT official artwork.

Jose Marti: El Ojo del Canario tells the story of Jose Julian Marti Perez, the Cuban national hero and Latin American literature figure, between the dates when he was 9 years and 16 years old.

The film is more a representation of different things that could have had an effect in the way Jose Marti saw his motherland Cuba. Born from his Spanish father from Valencia and his mother from the Canary Islands, Jose Marti grew up a pretty privilege life getting to study at private school, learning mathematics, and reading.

He is bright and studious, and his mother and teacher want him to continue his studies, despite his father’s desire for him to start working right away. At a tender age, he goes off to work with him, and earns him praises for his King-styled handwriting. In school, he is very influenced by his best friend Fermin Valdez Dominguez, as well as his teacher Rafael Maria de Mendive. All of this, plus his exposure to slavery, which was still practiced in Spanish-ruled Cuba, made him want to yearn for a free Cuba.

The two leads who play Marti in the film — one as a child, and the other as 16-year-old Marti — are more than capable to carry the film. In fact, Damian Antonio Rodriguez who played kid-Marti reminded me of a young combination between James Franco (Milk) and Ben Whishaw (Perfume: The Story of a Murdered). Despite me not believing that Daniel Romero, playing 16-year-old Marti, looks anything like Rodriguez, there’s no denying the talent put into his characterization.

The film doesn’t feel all that connected, sometimes jumping scene from scene without any flow, however that doesn’t take away much from the acting and the story director Perez wanted to tell. Cuba is showcasing a very well put together biographic piece.

3/5

COMPETENCIA OFICIAL – FICCION

Screenings:
Monday 9 – 10.30pm – Cineplanet Alcázar – Sala 5
Tuesday 10 – 10.15pm – Centro Cultural Católica – Sala Roja
Wednesday 11 – 9.45pm – Cineplanet Alcázar – Sala 1
Saturday 14 – 3pm –  Cineplanet Alcázar – Sala 5