Archives For Reviews

I have no immediate idea of how I feel about Facebook Timeline. I just made the switch about 15min. ago. One thing is certain — I don’t like automatic loading. I don’t know exactly why I don’t like it, but maybe it’s got to do with reaching the end of “the page” and having more content loading. It makes sense, of course. If you scroll down all the way down, you must want to read more – but I don’t.

It’s like reading a book… reaching the last chapter to then have more chapters magically appearing.

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Samurai Rock in Lima

November 13, 2011 — Leave a comment

Unlike Bjork’s concert [1], which I couldn’t photograph… to even have a faint memory of it. I did get the chance to shoot Miyavi with my good gear, without having to sneak it in… which is good, because this new lens is super huge.

Thanks to Noizu who let me in with it.

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YAM Magazine Weibo

April 22, 2011 — 2 Comments

So… after my Weibo Fail almost 2 months ago, I finally was able to setup the yammag Weibo account.

Except for the loading problems, which is a given in Chinese-based websites (because of the number of people?), Weibo seems to be pretty cool to use… even if I haven’t figure out all things yet.

One of them is that I can’t make the profile open to the public. People who are not logged into Weibo, get an invitation code… which I don’t really want. I want it to be open to the public, but no one seems to know what I mean.

If you already use Twitter, it’s easy to get use to Weibo~ but there are a few things that are kind cool/kinda not so cool in it. The first one that’s cool and not so cool at the same time is… use of emoticons. LOL I know people who don’t like them, and might find them odd using in a microblogging site-

BUT… Weibo isn’t really a microblog. It seems much more complex than Twitter.
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The BiBi Discography

January 3, 2011 — 11 Comments

I told you BiBi was going to be my first post of 2011! xD

It’s common knowledge I don’t buy singles… or usually “best of” compilations — unless it’s an artist with too many albums that I don’t want to “catch up” on with.

Julz also knows I don’t do mini-albums.

But I do own all of BiBi’s albums ;P I have named myself her biggest fan living the farthest away. LOL Unless BiBi has a fan living in the Patagonia, I’m taking the title, thankyouverymuch.

Bibi’s latest albums are far from perfect. Really respect that she’s trying to expand her style, her vocal range, as well as her image. Though it sometimes feels like her label doesn’t know what to do with her, like they need to change her style (from Time to i.fish.light.mirror) to sell well in Taiwan and Hong Kong – where she probably did sell well after the change.

I sat today listening to her first album (not counting her EP), Who Touched My Violin String?, and it was really quite good. Very strong, except for maybe two skippable songs.

Her second effort, her double album NOW and WOWUMPH! They’re a killer combo. After over two years of listening and discovering Chinese pop music artists, I have learned to appreciate NOW a lot more. But WOW blew me away right away for its hard to figure out sound.

In NOW, she is a lot more traditional sounding… a few “Chinese” or I guess zhongguo feng songs, nice ballads with tight vocals, great production values, and lyrics. In WOW, she does the opposite. She’s R&B without sounding R&B, she’s a bit Rock without being Rock, she’s Pop without being truly Pop — she’s got funk, soul… her lyrics are whack, and she sounds like no one else.

If Leehom coined Chinked-out style, BiBi was able to pull it off in WOW.

I really believe those two albums have been the highlight of her career, and hope that her new contract with Gold Typhoon lets her — as an artist — experiment with those styles more.

Hopefully, I will be able to get the pinyin for Bibi’s songs. In the meantime, you can check the one that’s already done for the WOW album. If you’re lucky, I will learn Chinese hahaha… tough luck!

You know what this means right? I finally saw a new Yu Aoi film, so I can move the queue just a little bit. We’re discussing Honokaa Boy first, then Ikechan to Boku… instead of One Million Yen Girl because of the length of roles that Yu had in the films… and we’re leaving Hyakuman-en up on the feature spot for a while… ;P

First a little about the film~
Honokaa Boy tells the story of a boy – Okay, a young man – who ends up living in the small Hawaiian city of Honokaa, after he mysteriously falls in love with the place during a failed trip with his girlfriend. In there, he meets a bunch of quirky people that are very likable, who end up having an impact on his life.

Genre: Dramedy with a bit of Romance
Starring: Masaki Okada, Chieko Baisho, Keiko Matsuzaka, Jun Hasegawa
Duration: almost 2hrs

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First, let me just say that when the trailer for Dawn Treader came out, I thought it looked terrible. The CGI work in the film looked positively subpar in comparison to what you thought of Lion and Caspian when they came out. I also wondered why I couldn’t remember any details in regards of the book, since I’ve only read the series once. Except for the annoying cousin, I was blank.

The Voyage of the Dawn Treader tells the story of Edmund and Lucy Pevensie who stayed over at their cousin Eustace’s place as they’re separated from their family… including Susan and Peter. Eustace is annoying, played very convincingly by Will Poulter (Son of Rambow), he’s loud, whiny, a complete pain. Then one day as the cousins are arguing in a room that includes a painting of a ship at sea, water starts dripping from the painting. The room fills with water, and they’re transported to Narnia.

Edmund, Lucy and Eustace — who’s freaking out by now — get rescued by Prince (now King) Caspian and his crew, plus Reepicheep, on board of the Dawn Treader in search for the 7 allies of Caspian’s kingdom who were betrayed by his uncle when he took power. Stopping in the first kingdom/island, they discovered a group that’s been taking people away to give them as offering to something known as “The Green Mist”.

Aslan’s totally against this Green Mist, so Caspian, the Pevensie bros, Eustace and company must trail the rest of the kingdom’s allies, get their swords together, and vanquish the Green Mist.

Looking at these not-longer-kids makes me feel old. Lucy (Georgie Henley) is even more grown-up that I remember from Caspian. Same thing for Edmund (Skandar Keynes). Peter (William Moseley) and Susan (Anna Popplewell), however, look ageless. At least they do on the film.

Because my expectations were low in regards to the CG and the conversion, I must say Dawn Treader delivers better than expected. The fakeness of the CG in the 2D trailers was lost in the 3D conversion which made the picture darker and blurry. You can’t have crisp action, that defeats the purpose of action. Also, the shots use in the film work quite fine as “3D” shots, you could even believe they had thought in terms of 3D environment.

The problem with Dawn Treader, however, lies in that it’s pretty thin on story. Even in the book, it seemed to only work as an introduction to Eustace… maybe the reason why that’s all I remember about the actual book. The film also includes some very cringe-worthy dialog, but maybe that’s an issue with the dubbing I had to watch.

But I did enjoy it. What the movie makes better than the book is that it fixes the pacing, there’s a lot of action going on while they’re on their way to search for the allies and their swords. They also make a great build-up for Reepicheep, despite the lack of screen-time he’s had in the movies, to give him a deserving send-off. Actually, it’s probably my favorite scene — despite the blatant Christianity hitting me in the face always on the series, I’m rather fond of how the series ended.

However, I wish they had done something more emotional with Lucy and Edmund’s Narnia farewell, because I felt Susan and Peter’s were much more serious, much more felt… after all, we won’t see Lucy and Edmund! We could see a glimpse of Ben Barns as Caspian on The Silver Chair, but not Keynes and Henley.

I hope they do make it to The Silver Chair, and The Last Battle… even cooler if they make The Magician’s Nephew. I really REALLY hate The Horse and his Boy, though.

3/5

I don’t think I’ve seen too many Russian films. At the moment, I can remember The Russian Ark — because it’s got Russian in the title — and I just did an IMDb search. I’ve also seen 12, Night Watch… and I guess Mongol is kind of Russian, even though it was the Kazakhstan Oscar entry.

So this is actually my 4th official Russian film.

Despite having very limited on-screen time on Good Bye, Lenin!, Chulpan Khamatova floored me. Plus, I love how Daniel Bruhl says “Lara!” So I was always meaning to watch all of Khamatova’s filmography. But do you know how difficult it is to find Russian films on actual DVD? Anyway, I finally got hold of Luna Papa. I had literally no idea what is was about, so I went in blind. This is what you should generally do. No expectations, good surprises.

Luna Papa tells the story of a 17-year-old named Mamlakat whose love for theater and the arts lead her to one of the theater company’s presentation. She misses it by a hair, as she is walking in the dark paths only lit by the moonlight, she is mysteriously seduced by a no-face man. Next thing she knows, she wakes up in the morning with her torn dress… no longer a virgin.

Now, you may think this is all serious business and that the film gets all drama from this point forward, but it doesn’t.

Luna Papa is actually the fantastic tale of a young mother from the point of view of an unborn baby. Whatever your opinion on pro-life or pro-choice is, you can’t just dismiss this simply as either of those.

Unless I really REALLY suck at math, Khamatova should be in her 20s while shooting this role, but actually looks like she’s about 15. She’s terribly endearing, and terribly sassy.

Khamatova’s mentally-ill brother is played by German actor Moritz Bleibtreu… who I thought was going to be playing a talking role in Russian, but he mumbles one-words. It isn’t bad, he’s actually very effective and quite endearing as an over-protective older brother. As well as the father, who despite cultural prejudice in the town, does a lot for her daughter and son.

I have no idea if it was the lack of any knowledge about the film, but that ending came from nowhere. It didn’t feel like cheating, because there were a lot of things that came left field since the beginning. Luna Papa — I still have no idea why it’s called like that — was just a pretty nice blend of wacky comedy with some high tension moments.

My only real big issue with a highly entertaining film like this is that Khamatova — who is of Tartar origin — doesn’t look like she’s a Tajik girl. Not like I have any grasp on ethnicity, but she felt so out of place from where the movie was taking place.

My favorite scene’s got to be Mamlakat at the abortion clinic, as the doctor tells her to lie down.

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*EDIT*

Gonna share this on the 2011 YAM Blogathon

Let’s see, I missed posting yesterday! Coding is such a mess~ Please, if you know anything about WordPress plugins, programing, and crazy coding talk – HELP ME!

Anyway, to clear my head from that problem, I was having a debate on whether or not The Kids Are All Right is anti-male or not. The participants? The Film Snob (snobbyfilmguy), Kevin Ketchum (KevinnK), Johnny Splash aka. filmcave, Benjamin Vargas aka. bensower, and MovieBungalow.

When the film first came out, a lot of the critics and bloggers were singing praise left and right. TKAAR is my flare, light drama with bits of comedy. Plus, it’s got Julianne Moore and Mark Ruffalo, of course I was going to watch it. However, with positive feedback, there’s also the few that can’t help but feel disappointed… or outraged.

While reading IMDb (battle zone!!), and some comments on AfterEllen.com, you could find lesbians saying the film is “anti-lesbian” because no way Julianne Moore’s character would sleep with a man, saying that it makes it seem like lesbians can’t live without c*ck – their words not mine.

That’s like saying Imagine Me & You is “anti-heterosexual” because no way Piper Perabo’s character would go for a woman. Hmmmmmkay.

Let’s start with the basics. The Kids Are All Right is the story of a lesbian couple that’s going through a rough patch. Nic (Bening) is a doctor that’s spending more time tending to her patients, than her wife Jules (Moore) who’s a stay-at-home mom, whose string of career switches fill her with insecurities.

After years of marriage (ten?), they’ve got two kids, almost-18-year-old Joni (Wasikowska) mothered by Nic, and 15-year-old (16?) Laser (Hutcherson) mothered by Jules. They seem you’re average white upper-middle class family with no kids problems, no money issues. Since Joni is about to turn 18, her brother asks her to contact their sperm-donor father — Enters Paul (Ruffalo), and all hell breaks loose.

WARNING: LOTS OF SPOILERS~~~

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If you remember, there was a negative (and the only) review for FLOWERS that I ran into. I didn’t look for more… because I was lazy, and I forgot. However, I ran into this info:

The 14th Sydney Japanese Film Festival is showing FLOWERS and Otouto.

As I rant that every film festival gets more up-to-date stuff than my local festivals… I also read a sweet quite glowing positive FLOWERS review, which resembles uzaigaijin‘s thoughts on FLOWERS.

But the single biggest thing that makes “Flowers” so remarkable is the authenticity of its feel from a cinematic viewpoint. It is an experience tailored to the psychology of moviegoers as a class. As such, it functions as a tribute not only to the growth of Japan as a society, but to the development of movie-making in general.

And I love that they mention that Yu-chan is one of the most talented and bankable actresses. (see Why Raiou Needs to Reach #1, which it didn’t)

Koizumi-san, at least, shares his vision of the 1930s in gorgeous antiquated tones as he beautifully captures Yu Aoi, one of Japan’s most talented and bankable actresses, in crisp black and white. Aoi-san comes across delightfully in vintage; the part well suits her subtle and subdued acting style. She flawlessly looks the part of the Yamato Nadeshiko, resplendent in various kimonos and decked out in traditional bridal regalia. One of the most memorable scenes in the film sees Aoi-san running through a sakura (cherry tree) grove in full bloom with mountains visible in the distance, a wide shot reminiscent of some old time silver screen epic.

You can read the full review over at the Japanese Film Festival blog.

It’s begun. The beginning of the end. After the 7th book came out, and left me unsatisfied — a feeling carried over the 6th book and the 5th film — I swore to never see Harry Potter at the cinema ever again. A promise easy to keep with the 6th film, but then… it was hard to keep it when the first promotional materials for HP7 were released.

Well played, Warner. Well played.

Deathly Hallows is perhaps Yates’ best attempt at a Harry Potter adaption, but considering the other two – it isn’t saying that much. In the greater scale of things, it might follow on Azkaban’s footsteps as an interesting film filled with anguish and desperation… of I guess, the teenage sort. If the book didn’t work for you, the film seems to improve on action and characters. It’s also of great comfort to say that The WB’s decision of splitting the film in two parts was hardly a bad commercial or creative choice… at least for the fans of the books, who will savor each an every detail.

But then again, considering how many chapters were crammed into this first part, one has to wonder what’s left for part two if not only the “last battle” which, in the book, happened off-page… and that epilogue that’s ripped out of the most poorly written fanfiction.

For the non-readers or those who haven’t seen HP6… well, you’re screwed. It really doesn’t work without the background, and you’re better without watching it, if you’re going to start complaining. Harry Potter and the Deathly Hallows feels like made for the fans of the series only.

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