Archives For Books

Well, color me surprised.

Not only has Emma Watson had her website re-designed with a brand new and clean site, but also it seems she’s finally bought off the previously bought EmmaWatson.com – as you probably knew (or didn’t) Emma’s previous URL was EmmaWatsonOfficial.com, which now redirects you to EmmaWatson.com so someone probably made a bit of money there.

The new site has a lot of very-welcomed white space, really big pictures, and easier navigation. Stuff is easier to find, and it’s probably easier to Google. And did I mention the pictures? There’s a lot of slideshows with her editorials and photoshoots and film stills. Sure, you can’t save it, but you can totally “print screen” them xD

And HELLO? Exclusive commissioned photos? People will probably print screen those too, but it is still nice to know you can rely on the official site to deliver original content.

Emma is proving to have a savvy online presence.

And be very fashion.

And I’m glad she doesn’t tweet.

Now all she needs to do is release a photobook. RIGHT?

Because photobooks are totally pretty. And she can pull it off… release a PB, I mean.

The first time I saw Let the Right One in [LtROi], I was left with a shivering tingle. Obviously, it became my fave film of 2008, and I have seen it seven times already… loving the slightly unconventional love story, and presenting a wonderful character such as Eli.

This is why I don’t have to tell you how mad I was when I heard about the remake, right?

Well, not long ago… in fact, just after I commented on The Auteurs about watching it again, someone asked me what I felt about the remake. After a few minutes thinking about it, I concluded that I wasn’t as mad as I was when the news broke. I still don’t think Let Me In could be as good as LtROi and/or bring anything new to the genre.

Possibly, the best thing that could make me sway my decision is the casting of not only Chloe Moretz (Kick-Ass, (500) Days of Summer), but also Kodi Smit-McPhee (The Road). A moody and beautiful trailer would also help.

However, there’s still the fact that they probably won’t tackle certain topics by changing Eli’s name to Abbey, which makes her a full girl unless I don’t know any guy names that could be shortened to Abbey… you know like sometimes Ashley is a guy or girl name? Add to that the fact that Richard Jenkins’ character is called “The Father” – weird.

I’ll quote someone on IMDb who seems to explain it better…

By having Abbey being a girl, they’ve already killed one of the things I love about the original book, its not a conventional love story, it’s more about the idea of what love is and what it means. There is something so strangely touching about how Oskar is willing to still accept Eli in his life even after everything he finds out about Eli, I just found that really touching in the original novel. – damann861

I will probably watch the film… if it comes to local theaters, and if it doesn’t… well, I will probably take the time to download it. I mean, it all comes down to the trailer and the production stills. I want to see how it looks like before…

What are your thoughts on American remakes of foreign films?

Should they have waited a few more years to remake LtROi?

NHK ni Youkoso!

April 6, 2010 — 2 Comments

Based from the novel, and the manga series by the same same, Welcome to the NHK [which stands for most part of the series for Nihon Hikikomori Kyoukai or The Japanese Hikikomori Association] tells the story of a Hikikomori himself called Satou Tatsuhiro, a 20-something-year-old University drop-out who’s been living like a Hikikomori for almost 4 years of his life until an 18-year-old (?) girl named Misaki decides to take him on as a project and make Satou better of his social condition… as well as helping herself.

During the 24 episodes lasting 20 minutes [without opening and closing credits], we deal with a lot of what we’ve come to known as inherently Japanese odd behavior[though it’s really a global issue], including what we’ve learned to call the Japanese sub-culture of Otakus… Lolicon, video game culture, etc etc. However, we also deal with serious issues such as isolation, suicide and abuse – the last two often being such taboo topics in Asia or Latin America.

This animated series is what makes Japanese animation so avant-garde, in my opinion. Televised animation has hardly anything in its favor. They can’t ever boast on how great their graphics are, because they need to restrict their resources so they fit the budget… ultimately, animation as a medium is seen by many in America and, to a lesser extent, in Europe as a kiddies hobby. If the people often putting animated films and series down just because of  being animated could give Welcome to the NHK a chance, they’ll understand it better.

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Raiou Un-official Snap?

March 29, 2010 — 13 Comments

Well, I was expecting Masaki Okada with that hairstyle… but wasn’t expecting to see Yu so normal… How she manages to look good in rags still surprises me. I mean, she does look adorable in this snap. Her face is going to be flawless on screen…

And… I’m to lazy to try to figure out what this article is talking about.

All I wanna do is see Yu horseback riding =D

The film is based on an award-winning novel written by rookie author and housewife Kanae Minato. Actress Takako Matsu (K-20, Villon’s Wife) plays a dedicated teacher at a junior high school who’s young daughter is found brutally murdered. Believing two of her own students are responsible, she decides to leave the school, but not before a final chilling confession to her class in which she informs them that she’s already enacted her plan for vengeance.

Watch the trailer via Nippon Cinema.

Forgive the shameless reminder of Spice Girls. xD

I just got back from watching Alice in Wonderland~~

And how about it? TheAuteurs is showing a short film version of Alice in Wonderland done on 1903, if you would like to watch it (for FREE) just head over there. You will need an account.

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I had recently bought a whole bunch of Haruki Murakami novels because I have fallen in love with his style. His narrative holds this air of melancholy… missing the past, but also a terrible sense of unhappiness. It’s utterly depressing, but this is why it’s so good.

Norwegian Wood (or Tokio Blues, in Spanish) is already being adapted into a film with a possible release for Dec’10, so it wasn’t a stretch to think about actual people playing the characters in the book.

It tells the non-chronological story of Watanabe Toru, who all of a sudden remembers Naoko, the girlfriend of his best friend in high school, who ended up killing himself. It deals with the aftermath of the suicide, Naoko’s life pre and post-suicide, and Watanabe’s life pre and post-suicide as well.

Just as the other Murakami novels, the story has that vibe of quiet sadness, great soundtrack and a sense of great cinematography. The characters are often quiet, and internalize everything. They are so real, that you can’t help getting into someone else’s shoes and call someone a jerk or a bitch.

I had problems starting  the novel, I read the first two chapters fine, but lost something during the middle part that made it almost tedious to continue with it. However, I was over it once I read about Midori, and how her developing relationship with Watanabe clashed with Watanabe’s feelings for Naoko… and then Reiko. As much as I wonder why these three end up sucked into the gravitational forces of Watanabe, and how I think that is somewhat sexist… I can’t help but want the best for him. And, in my opinion, that was with Hatsumi…

I can’t wait to see this on screen!

3.5/5

Looks kinda interesting~~~

Plus! Ewan! Pierce! Wilkinson!
Olivia Williams! And Samantha… I mean, Kim Cattrall…

Happy Belated Xmas, Amy!
it’s here, it’s here!

After ages on my Amazon Wishlist, my dad made it happen. *laughs*

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Happy Holidays~

December 25, 2009 — Leave a comment

Hi, everyone~

I doubt there will be any significant posting today.

how did you spend the holiday? Mine was spent over-eating with the family. I also had to work on some photographs to give away… and I also manage to reduce my list of Best Songs of the Decade to 150. However, I don’t like the number 150… so I’m gonna make myself erase 50 songs from there, or resign myself to accept 150 as a good number… whichever comes first.

I also wanted to watch The Princess and the Frog, and since my mother is a fan of Disney I asked her if she wanted to go, but she said there’ll be too many people… which is kinda true, and we DO hate being in the same place as loads of people… and we tend to hate children. Perhaps on Monday.

I’m also still trying to get through Dan Brown’s The Lost Symbol — his previous books weren’t that difficult to read, why can’t I finish this one??? I just find it kinda boring.

I’ll also try to watch Invictus, and An Education over the weekend.