I’m still not so sure about Miyavi’s lyrics in English, but I do appreciate the fact that he tries and works the field for non-Japanese fans. Very much appreciated~ I will always remember his concert, and attending it with my father.
But Miyavi and his guitar, man. That goes beyond language.
Kore, nani nani nani??? Kirei~~~ xD
Here’s Vishal Bhardwaj’s The Blue Umbrella. I think he’s missing a children’s film to make it a full trilogy alongside Makdee, which -in fact- would make it a Little Girl’s Trilogy. Come on, do it, Vishal. Pick another girl and pair her against another great actor. My pick is Naseeruddin Shah.
The introduction to this movie against the snow is very reminiscent of Iwai’s Love Letter. o-genki desuka? Why the random link-up? There’s random Japanese in the movie. xD What Japanese tourist travels with their Japanese-styled umbrella? xD
Since I got my computer back (and found a set of hindi fonts too), I’ve been playing around with a basic Rani Mukerji Fake Criterion collection. I decided to skip Kabhi Alvida Naa Kehna, but include Aiyyaa. I actually like the movie a lot more than I initially did. Plus, it’s not a supporting role, so it beat out roles in Yuva, Bombay Talkies, Veer-Zaara, Kuch Kuch Hota Hai or Talaash.
Serious dramas lend themselves out for cooler Criterion covers, though I must admit that I liked the disorder in the Aiyyaa cover. And I have to apologize for the Laaga Chunari Mein Daag, I just couldn’t think of any particular symbol from the movie… but at least I got to test out that new (tricky) hindi font.
I think I might do a Sanjay Leela Bhansali set.
I still think Paheli deserves a bit more than its current 6.8 IMDb rating, though I’m pretty sure it’s gone up a couple of decimals since I first rated it. I just don’t know why it was so difficult to find this clip of the ending credits song, Phir Raat Kati, which translates to something like Then the Night Passed. It sorta tells you a story throughout the song, and the choreography is super fun while not being your typical Bollywood number.
The music in the movie is also pretty good, with lyrics by Gulzar.
Too bad it’s in this pretty bad quality clip, though it’s better than the good rips of the credits with the small window.
I don’t think there’s been any significant update since April [1], but since my internal hard disk got busted after a sudden power outage, I lost my last mindmap. Instead of recreating it, I revamped it with some clean-up names and added some others. The clean-up? I got rid off Aishwarya (at least, until I watch other films of her), Nana Patekar (haven’t seen him in a while), same with Arshad Warsi, Sanjay Dutt. Got rid off Kareena, Sonakshi Sinha, Abhishek Bachchan, Anushka Sharma, Ajay Devgn, Salman, and Preity.
Only filmmaker to go is M.F. Husain, because- well, no more films. Also, there’s more order, because I’m lumping all Karan Johar directed or backed projects on his hub.
It’s been a year yo! [1]
Objectively speaking, though I love Tabu with all my fandom heart, I gotta admit that Rani Mukerji is the best movie hub to start out. The only thing she’s missing, really, is films with these other directors like Vishal or Vikramadytia Motwane. I doubt Imtiaz Ali would ever cast her in anything- besides, most his movies… though decent, are quite overvalued. Especially RockStar. And she was >THIS< close to getting to The Namesake, that really…
Rani’s got Bhansali, Hassan, Balan, Konkona and Nawazuddin Siddiqui. That’s of course on top of Shahrukh Khan, Aamir (and the other two Khans), Mani Ratnam, Juhi, and family connections aside, Kajol. And look at the times she’s worked with Amitabh Bachchan… and even son. That’s basically the whole contemporary commercial Indian film spectrum.
Tabu, on the other hand, has Vishal Bhardwaj and Gulzar, sure. She would also get Hassan (though not at his best), and Konkona… as well as Mani Ratnam, Amitabh, and Juhi (in her leading lady days) — probably more crossovers like Govinda and Salman. She also has Mira Nair and Ang Lee in her bag (though not strictly Indian-verse), and a whole bunch of regional films… but they’re more Telugu than anything else. Then there’s Nagarjuna. She had that symbiotic film-relationship to Madhur Bhandakar, whose career isn’t very good at the moment, though I thought Heroine improved in the horrible story treatment he had in Fashion.
I haven’t dared to watch Juhi’s earlier filmography because there’s so much early Aamir, and I’m not a fan of him in those days or Indian commercial films in general. Confession: Hum Aapke Hain Koun…! and Hum Saath-Saath Hain are pretty bad. Both the same director, a director Tabu wants to make a new comedy with. Not a comedy with Rajkumar Hirani, or a Motwane-backed project like Queen or Hasse Toh Phasee. She wants the dude that gave you Salman.
I’m becoming one of those fans that question her film choices. xD Having said that, I am still looking for Idee Sangati (or however you romanize it). I know Telugu films aren’t my thing, and not even Manam is changing my position, but I need to watch that movie.
This is the first time in my movie-counting life that I’ve seen over 50 movies by the middle of the year. As a general number, I picked 48 a year, to make sure I -at least- watched one film a week for my end of the year list.
There’s a LOT of bad and meh movies so far, but there’s also a decent Top10. Not unbelievable, but decent. It’s a working one that would do for a Dec.31 or Jan.01 publishing date. LOL
We got a triple FIGHT!
It was the second half of 2003 when I was listening to La Ley quite non-stop, since it was only one of the handful CDs that I had taken to Canada, when my friend grabbed my headphones and told me, “Do you know l’Arc en Ciel? It sounds exactly like him, but in not-Japanese.” I’d always kept that at the back of my mind until today when I found this new Indian band called Sanam, and had a similar thought.
Of course, l’Arc en Ciel has over twenty years of history already, so it’s an obvious imbalanced fight. Though I do kinda chuckle whenever people refer to lead vocalist Hyde as a “chibi” person, as well as measuring other people as “one hyde and one inch tall” LOL
Note: Also love how the fans sing as a prelude.
Of course, if La Ley hadn’t decided to split mid-noughties, they’d have a couple of years into l’Arc en Ciel, and the image that I have of Beto Cuevas wouldn’t be so quite embarrassing.
Continue Reading…
Tabu made a Telugu movie released in 2008 called Idhi Sangathi (sometimes romanized Idee Sangati or other variations without the ‘h’), which has been nearly impossible to locate even though Telugu movies are usually on YouTube (though sometimes dubbed in Hindi). In the case of this one, they haven’t even uploaded a single clip of any of the songs nor a trailer (in YouTube).
For those fathers who always play down their worries and fears.
我想你，爸。
