This is my first (proper) Aishwarya Rai movie, and though I wasn’t blown away or bothered by her acting (maybe yet); Sanjay Leela Bhansali more than over-compensates for his direction. While watching Hum Dil De Chuke Sanam, I just kept thinking “this has got to be the most artistic movie to ever have a fart joke in.” It’s a pretty gorgeous movie to watch.
While watching the performance for Dholi Taro Dhol Baaje [lyrics + translation], my brain just went “OMG, this is a beautiful sequence.” Then again, so was my reaction while watching Black. And so it was with Khamoshi: The Musical. Can you tell I’ve been taken by his directing?
And the music in this was awesome. Is it really true that they spent two years working on it? Coz with IMDb, you never really know these things for sure.
When I was little — maybe between the ages of 4 and 6 — I used to watch a really worn out tape (maybe transferred from a Betamax tape to a VHS one) about a huge furry green alien whose name was Muzzy- Big Muzzy. Many years later, many courses of English after and once the internet became a reliable search tool, I came to learn that the movie… a BBC educational video, was called Muzzy in Gondoland, though I knew it as “The Big Muzzy Story.”
As a Spanish speaker, I don’t recall ever understanding English growing up. Though I had some games and watched some animated shorts and movies in English, I don’t think the language ever registered as a language. I recall I was dreadful at it in school until I turned 10 or so and began attending classes after school. I’ve been speaking English more than half my life already, and it’s the language I primarily work in. I read, write, listen to… and consume most of my media in English. I don’t think I dream 100% in the language, but I’m known for having dreams I don’t understand — I don’t think I’ve dreamed in Mandarin, but I’ve had chunks of them in Japanese and most notable in Korean, even though my Korean abilities reach the levels of greetings, the random “I miss you,” or “this is my friend,” as well as the very helpful “I’m hungry” or “my tummy hurts.” I can also request things with the very useful three-year-old Korean level phrase of “item- chuseyo” LOL
The preferable term would be “cookie” though I’m sure Muzzy would prefer clocks or parking meters.
Anyway, I found two copies of Muzzy in Gondoland. The one that’s split in 8 segments has the original audio I remember as a child. While this version that lasts 2.30hr seems to have different voices for Sylvia, Bob The Gardener and Covax. I’m 50/50 on the voice of the Queen.
Apparently there are updates in different languages like French, Mandarin and Spanish redone in basic 3D with segments in Flash. Have been watching the French one, and they’ve omitted the fact that the Queen is fat. Obviously because it’s not politically correct to call someone fat nowadays, and the Queen does so in the adjective section. Plus, the King flatly calls her fat with the exclamation “You are fat!” which obviously is kind of ridiculous. LOL
I really can’t remember exactly when I started out the Top Flicks About Chicks list on MUBI, but it must have been around the same time I wrote how Chick Flicks was a doomed genre in regards of critics. So it might be almost 4 years… and I’ve finally reached 300 titles in the list!!!
A Chick Flick should center on little girls, girls, young women and women… as students, as neighbors, as friends, as daughters, as granddaughters, as sisters, as mothers, as lovers. They are simply women. With that alone, we can tell all sort of other stories that have little to do with romantic comedies.
The purpose of the list, of course, was to encompass an array of female character — not only in the binary sense, since the list also includes men/boys who identify as women/girls… and viceversa — of various cultural, ethnic, social backgrounds. Not favoring one genre over the other, not valuing dramas over comedies… just simple stories about different women.
Though I’m sure the list could be longer, that’s 300 feature length films out of the 2896 (counting shorts) currently rated on the site- that’s roughly 10% so I suppose the list could expand to up to 500 or maybe 1000 once I reach 5000 or 10000 rated films on the site.
1. Treeless Mountain 2. Welcome to the Dollhouse 3. Juliana 4. Labyrinth 5. Fuckin’ Amal 6. Mirrormask 7. Gun Hill Road 8. Pariah 9. Bend it like Beckham 10. Swing Girls 11. The Land of the Deaf 12. Sunny 13. Whip It 14. Stoker 15. Maria Full of Grace 16. Breaking the Waves 17. My Marlon and Brando 18. 4 Months, 3 Weeks and 2 Days 19. Dil Bole Hadippa! 20. The Girl with the Dragon Tattoo 21. Kotoko 22. Violeta Went to Heaven 23. Skin 24. Raise the Red Lantern 25. Incendies
I picked 25 of the 300 films to illustrate some of the variety (I hope it’s AS varied as I intend the list to be), though I ran out of picks and couldn’t include any of the ‘older’ female characters. If I could pick 5 more, they’d be: Lemon Tree, Frozen River, Late Bloomers, Mother, For 80 Days.
When women play tomboy girls or girls who have to pretend to be boys on screen is hardly believable, mainly because mainstream actresses are normally TOO pretty and productions wouldn’t bump the masculinity to make them look less like girls — at least that USED to happen in a film like Queen Christina (and Morocco, though I don’t think Marlene Dietrich intends to play tomboy as much as play Dietrich on that) [1].
Actresses like Bynes in She’s the Man [1] didn’t exactly hit the mark, though it could come close to Ella Chen’s level in Hana Kimi [1]. However, the other adaptations of the same manga series- the Japanese version of Hana Kimi with Horikita Maki [1] or the most recent Korean version To the Beautiful You with f(x)’s Sulli [1] suffer from similar problems. Same could be said for Zhao Wei- maybe I could overlook her role in Red Cliff [1][2], but I definitely CAN’T overlook her prettyfied self in Mulan [1].
In general, though, Taiwan and China leave me very surprised with the gender-bending… intended or unintended. It’s countless the times that I’ve asked myself whether I was seeing or listening to a boy or a girl. It doesn’t help that most names (without characters) look very gender-neutral.
ANYWAY, I’ve gone way off topic here. The main thing in this post is supposed to be Rani Mukerji, whom I saw for the very first time in Dil Bole Hadippa. Though it’s a pretty decent film, I’ve come to appreciate it more now for Rani- especially for her mannerisms in the Bhangra Bistar number. Though the number is before she gets to pretend to be a guy, her character works as a performer at a moving acting troop, with the lack of a leading man… she’s made to play the part.
I usually very hard to please on these issues, but Mukerji sells me the role of ‘the dude’ in this one. She pulls it off better than Ella or Bynes, though all of them get to be funny while doing so.
You can even see a bit of the shooting of this part of the film [1].
There’s also an official upload, but quality is not as good and they only include the musical numbers without context.
All this much touching should be forbidden! They don’t eve kiss, yet-yet is just so over-the-top-Pyramid-dancing-and-musical-non-graphic-love-making. I’m obsessed with the song, and specially the clip of the video, which I actually had caught on a Top SRK-Kajol songs video, that I immediately added to my list to watch because THOSE VISUALS.
That’s some sexy stuff without ever taking any piece of clothing or over-touching. Considering the lack of touchy-touch that I’ve seen in mainstream Bollywood, this feels like it almost should be censored for some audiences. Yet, deprive the audience of such a song feels like a sin.
I also love the lyrics to the song…
The sun dims into twilight, the moon beams simmer brightly,
and the sky seems to be melting.
I stand still as the earth spins around me,
my heart beats faster, as my breath goes deeper.
Is it the sigh of first love?
My love, is it the sign of first love?
Savour these beauteous moments, when everything changes-
Our dream blends into the realms of reality,
I wonder if our love travels through centuries,
and has bound us in its silken threads.
Let this season of love remain eternal,
Let us meet through birth after birth, like today.
The colors of our souls have melted into one,
I’m losing myself to your love.
Beloved, it’s the waves of your love that drown me,
before transporting me to the shore.
It’s the thirst of the ocean, it’s the dream of the night,
the hearts of the flames have been set afire
Has people ever ask you what’s your type? In terms of the people that you like, and you really have no idea because you’ve never really talked about. I wondered if I could see a pattern in the people I like on-screen, so I made a list of women and men — 25 picks each — and placed generally okay photos of them to see if I could see any characteristics they shared.
A few rules- it has to be people that you follow — not randoms that you just find hot. Sofia Vergara is hot but I haven’t seen her outside Modern Family or Chasing Papi. And it also isn’t about talent… completely. It’s people that you would somehow, if given the chance, do / be with / however you want to call it or do is.
Also, photos should generally be color and looking to the front-ish. Natural looks favored, but since it’s a type thing, I suppose you can use any photos you find your subject attractive in.
Russian be gone! xD I’ve spent the last week watching Bollywood films!
First official Indian films with musicals, excluding A Wednesday (which didn’t have musical numbers, but does star Anupam Kher), Slumdog Millionair (which isn’t officially Indian), and some random Punjab film that I caught once when I was living in Vancouver and randomly watched the Punjabi channel. LOL
First thoughts? I’m loving it. It cost me a bit to get accustomed to the 3hr running time of most films, but I think I don’t care… that much any longer. Fluff musical numbers are still fluffs, and that’s what irks me the most… but at least they’re good for exercising.
It’s been my first week and I’ve already seen a couple of few Shahrukh Khan films, and I’ve already learned Kajol and Rani Mukerji’s names. Already reviewed Dilwale Dulhania Le Jayenge, and this is my second time watching Kuch Kuch Hota Hai. I think I took to the song because it’s one of the few that I can actually pronounce. LOL
Well, I think it’s time, no? This has been my Chulpan Khamatova’s journey so far. Surprisingly, most of the films that remain hard to find (and hence are not subtitled in other language) have been my least favorite. It could be a case of lost in not-translation, but I’m confident in my non-subtitled watch experience to trust my instinct.
If you’ve (for some reason) been following this blog a while, you’d know that I’m a big fan of Xiami, the Mainland China-based music site that has never flashed me with a “this content is not available in your region” message. I’ve actually bought some tracks off of them, started way before iTunes became available in my country, and have continued with tracks that aren’t available in my iTunes store, or with overpriced albums/singles.
It’s particularly useful for Chinese-based artists.
In general, all tracks are priced at 0.8米 (Mi) and 1 Mi is 1 Yuan, which is about 0.16USD, which is like 1/10 of what iTunes charges. They accept Paypal as one of their paying options, which seems way simpler than paying with your credit card (I tried). And since Xiami is a community-based site, they give you points for activities. Every time you log in, you get points and once you log in for a whole uninterrupted week, they give you a red envelope which also serves to download tracks. If you log in every day for a month or a whole year, you’ll get even more for free downloads.
Downloading tracks, adding albums, adding information (photos, lyrics, etc), participating in community discussions, and joining groups also gives you points to raise your Xiami level. Though, I still don’t know what’s that for, other than showing off and user respectability.
