I had been hoping Emily Blunt make up for not living up to my expectations of her amazingness [1], and I’m so happy to see her in Edge of Tomorrow. I just want to see a prequel where she gets to kick some more ass, though I’m not entirely sure what the movie would be about… maybe an actual movie where we don’t get much into the explanation of what is going on with the re-living.
I needed a little more feelings.
… or what I think it’s an upcoming issue of Filmfare, anyway.
I just ran into this lovely photo from the Filmfare editor’s Twitter account [1][2], and if you zoom into the images, you sorta can read those first two pages. Otherwise, I did a search and found nothing yet. According to the main quote, the most note-worthy thing Tabu said was “Apart from a child, a man can give me diamonds,” which is not, considering that she says she wanted to learn ballet. Now THAT is interesting!
In general, prima ballerinas are thought to be small… though that is apparently changing now that people are taller. Imagine a danseur that is 5’11 or 6 feet tall with a prima ballerina that is only 5’2. If Tabu had problems with her height in an industry that could pull off camera tricks, I can’t imagine if she had follow through with ballet.
Other notable comments from the images were the ones she made about her moving from Hyderabad to Mumbai. It’s interesting because it goes so in contrast to her early interviews. And she hasn’t read Shakespeare. I hated reading unfiltered-yet-translated Shakespeare in school. LOL Anyway, having said all of that, Haider is really one of my anticipated films this year :)
Oh-oh, and she wants to do an action film where she does her stunts. While watching Jai Ho, I wanted her to go all Mama Bear before she had to call Salman- like, THAT would have made the movie actually a lot better. It wouldn’t have made sense with anything in her current backstory, but they could’ve made it work. Tabu just hitting bad guys.
*May22’14 Update*
You know how we love to put stars on pedestals? Often reserved and measured in interviews — except for the fact that Ang Lee told her she laughs like a school girl [1] — it was totally worth the buy of the Meenaxi DVD for the Making Of. Now we have these~
My reaction when I saw that?
Lajja has got to have to longest and best emotionally-biting monologue in pseudo parallel-would-be-commercial film in the history of Indian cinema. Pseudo parallel because subtlety isn’t exactly the film’s strongest point; it’s got some over the top drama, comedic moments, big stars, musical numbers [1], chopping of the limbs, and a super evil baddie that gets a la chancla [1] payback. Plus, a big BIG social message.
Are you kidding me? I love it. This is my second time watching, and I moaned, denounced, clapped, sang, shouted at the screen, called people names, and cheered.
I was so into Manisha Koirala’s ‘shame on you‘ monologue, I tried to make an image sequence of it. It’s impossible. It’s so long, but here’s part of it. Considering, the not so recent events in Delhi and Mumbai, Lajja is more relevant now than ever. It freaking needs a re-release, and more freaking women need to get off their bums and watch it.
I might consider writing my thoughts on the movie, but hey! Look at Kou Shibasaki wanting to break through in those frames. For a moment there I thought she might actually kill someone.
People were commenting that her eyes sparkle… and they kinda do! And she’s got the cutest dorkiest smile/laugh ever. I dunno if I’m ever going to be able to see her outside her Ama-chan role.
But how can she be resisted?
Facebook has always been crappy with most image uploads that aren’t necessarily photographs uploaded onto their albums. Forget uploading clear shapes and illustrations without adding noise to them, they’ll look pretty hideous. [example]
Recently, I noticed that Twitter had changed it’s picture upload to include the ‘:large’ suffix once you enlarge a photo to see its (Twitter max) full size. However, I also noticed a change in the way pictures are uploaded and that clear shapes and chunks of colors (hence illustrations) were also uploading in some dreadful quality. [example]
They’re especially rough on reds.
On the contrary, Weibo (instead of saying ‘a Chinese Twitter-like version’ let’s call it ‘Twitter on Steroids’) does a super (and I do mean SUPER) crisp upload, plus adding the customary Weibo URL, username and Weibo logo fix. No one can beat them. The only (kinda) sad thing about the modifications in the Weibo picture upload is that with implementations of galleries (that Facebook has also implemented not long ago), people have stopped making image collages.
If more people I knew were on Weibo, I’d be more active there.
I’ve worked on (small scale) websites for a while, and this is the first time I’ve read an item on a news site that included non-related items in the same page. I told myself ‘I don’t get websites any longer.‘
I don’t get what Kim Novak, BitCoins, Putin and a BBC sitcom have to do with each other to be included on a page with the URL only referring to the Kim Novak item. In terms of plain simple content nor information architecture.
The mindmeister movie journey has sprung several arms and legs, probably a few dozen fangs and a few couple of eyes. Since the beginning of the year [1], I’ve watched some 56 Indian films.
New additions? Farah Khan has her own hub, and Mira Nair has shown up there, as did M.F. Husain. Lootera sprung Ranveer Singh and Sonakshi Sinha, and Ranveer sprung Anushka Sharma and Parineeti Chopra. Luck by Chance sprung Farhan Akhtar and Madhur Bhandarkar finally got his hub. Major new film additions to Kamal Hassan, Sridevi (GOSH, Sadma/Moondram Pirai), and Shabana Azmi.
Click on the image for the large version.
This has just showed up online. A super squishable Chulpan Khamatova, plus two other pictures from her childhood that were all feature on a short interview (I’m not sure what it is), which you can view on Lenta.ru — There’s an alternative Vimeo link, but it’s taken from the source.
