Archives For Art

*swoon*

Sense8 really took me back to As If. xD

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One go, not much thinking and over-thinking. Yup, this looks about right.

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  • 2000 – Crouching Tiger, Hidden Dragon
  • 2001 – Moulin Rouge!
  • 2002 – Gangs of New York
  • 2003 – The Lord of the Rings: The Return of the King (because I have to)
  • 2004 – Finding Neverland
  • 2005 – Munich
  • 2006 – Letters from Iwo Jima
  • 2007 – There Will Be Blood
  • 2008 – The Curious Case of Benjamin Button
  • 2009 – District 9
  • 2010 – Toy Story 3 (because you HAVE TO)
  • 2011 – Midnight in Paris
  • 2012 – Life of Pi
  • 2013 – 12 Years a Slave
  • 2014 – Boyhood

I struggled a little with LotR and (maybe) Toy Story, but I’ll give it to them anyway~ I’m also a bit lukewarm about Finding Neverland and Midnight in Paris, and I totally warmed up to Life of Pi… though I don’t mind Argo. With Boyhood over Whiplash (despite me liking the other one better xD), it makes the list a lot more larger than life.

I like these one-on-one interviews, especially when you have performance-oriented people. Too bad Nawazuddin Siddiqui doesn’t feel comfortable speaking English- 1. Maybe these Meeting Ground interviews are always in English. 2. If they’re not necessarily in English, I wouldn’t understand a thing he says in Hindi. xD

This time Kangana Ranaut and Irrfan Khan are one-on-one after the commercial success of Tanu Weds Manu Returns and Piku, respectively. In the brief 20min interview, they talk about acting nuances with a super brief Acting 101, as well as people’s obsession with Box Office numbers (in this case, making the 100 crore club), the -now- discerning audience (and the massy one), not longer being a working actor who needs to constantly do movies to make a living, being an outsider, PLUS! the strength and vitriol that is social media.

Happy watching!

On the Box Office obsession and audience talks, it’s a general worldwide problem, you guys. Last year headlines declared How to Train your Dragon 2 a box office flop when it made “just” $50M USD. Joining the $1B USD club is big on studio heads, and having the most profitable franchise is a plus for actors.

The audience everywhere is half and half- good movie don’t make money, bad movies that make loads. The audience and press vitriol on review and social media. They’re not solely Bollywood problems ;)

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img source

Well, this week has been an active Tabu week~ first, news that Rekha had backed out of Abhishek Kapoor’s Great Expectations adaptation, Fitoor, and having Tabu land on the gig. Then the hindi Drishyam team teased a shot of Tabu in cop get-up in prep for the release of the trailer (my gosh, the movie promotion machine these days). I think they also announced Manoj Bajpayee’s and Tabu’s upcoming film Missing [1], while putting in on the table that Tabu will be playing Katrina Kaif’s sister in Fitoor and not a crazy aunt. Ha, they look nothing alike. Reminds me of Chinese movie-casting.

Phew. I think I covered my basis.

Tabu is going to eat people alive on that set. I know Cuaron’s version is not very popular, but I love it.

Weren’t all slightly rebellious girls into Pink’s hair? Also, old school Pink is so much more awesome than adult Pink, though we must all grow up.

I can’t ever grow my hair that way, so dyed into different colors- it all looked a lot more like Joey Fatone’s than Pink’s xD

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