Archives For Art

In honor of the release of Haider today/tomorrow and me not being able to watch it until it hits the DVD/Bluray shelves… or EROSNOW (or someone else) decides to VOD it early or *cough*… I had been curating a YouTube playlist of all the music sequences -choreographed or not- (and item songs or special apperances) in Tabu’s filmography, which has resulted in a list of over 83 clips (est: 6 hours) from Tabu’s participation not only in Hindi films, but also Telugu, Tamil… and the random Malayalam clip that I was able to find.

The list has time to expand with rarer to find clips, I suppose, including (at least) one or two more clips for Idee Sanghati, as well as other regional movies that aren’t on YouTube. There are also clips that are included in their dubbed version (with the original title and the language they’re on), because the original audio isn’t available… as well as repeated clips in better resolutions than their “official” uploads.

Li Bing Bing looks all regal in this shoot for the just-around-the-corner issue of l’Officiel China under the magic lens and post mumbo-jumbo of photographer Sun Jun (孙郡). See, I’m trying to be a good fandom blogger. With a quick search, you’ll find SunJun’s Weibo and Portfolio.

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More images of this shoot on Cfensi, and Sun Jun’s Weibo [1][2]

Seriously, these magazine names.

Anyway, Tabu’s heavier on promotions for Haider, and this time talks about her decision of doing Jai Ho after Life of Pi, going back to her filmi roots, the amount of work and dedication it takes to direct a movie, and sets the record straight on her image:

Personally, I have a very boring life. I don’t have many interesting hobbies and pursuits, though I often think I should cultivate some. I travel a little bit. I don’t like to read. I write a little bit, mainly personal notes about various topics. I don’t watch TV or movies though I like going to the theatre as recreation, to eat popcorn and hang out with my friends. I am trying to figure out what my true passion is and that should be interesting to unearth.

Livemint.com

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There’s also a whole lot other interviews [Mid DayIndian Express, The TelegraphTimes Now, Absolute India, Hindustan Times] with varying degrees of back and forth on her being shy/a recluse, boring or a party-goer, not being a reader, being a traveler, and choosing projects because the people or money are good or not.

However, this briefing with Deccan Chronicle does mention a bit of her rapport with her nephew Fateh,and her apprehension for joining social media, as well as a bit of talk on how people perceived her sister and her, and how things turned out to be. So I’m gonna go Chris Crocker for a moment and say “Leave Tabu Alone,” just let her be single for god’s sake. Seriously, and the moment she ever gets married- the moment THAT happens, people are gonna be up on her business if she’s pregnant and/or will she adopt.

People kept pestering Rani when she’d be getting married, and the moment she does, things shift to whether she’s pregnant. Girls can’t catch a break.

Anyway~ I do gotta admit, I’d rather prefer it when my biases don’t show up on social media, but I’m an old person now. LOL

It’s hard to imagine that it’s already been a year. A year since my dad’s passing. As I sit here writing this a whole week ahead of the events that happened a year ago, I see the signs, the memorable -or maybe not so memorable- but etched in my mind as the most important things we did together. The things we ate, the things we watched, listened to and laughed about. His smell of cigarettes and mint candy, the roughness of his coarse beard, yet the softness of his now-clipped hair. His laugh and his unique way of ringing my doorbell.They all seem so distant, yet so close to my heart.

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Papa, wo ai ni. Wo hen xiang ni.

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I would get a time machine, go back in time and have a torrid affair with 1930s Joan, if I could. xD I know this is a Sadie McKee still, but she was so good-looking in Dancing Lady.

The Boy and the World screen print that reminded me of my dad, who is ‘turning one-year old’ this week. Us, sitting together and looking up at the sky.

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But you know what takes the cake? O Menino e o Mundo opened in Brazil on my dad’s bday: January 17th. You gotta be kidding me.

It’s another double feature!

La Doña has been in the mood for fighting this week [1], and this time she’s taking Deepika Padukone- or I suppose El Peñon de las Animas (The Rock of Souls) is taking Sanjay Leela Bhansali’s Ram-Leela, where both balas and golis are exchanged nonchalantly, and music is spared in between two families that have been warring for generations.

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Though Maria Felix is playing much more of a señorita role on this one (than usual), and this western musical (that’s what all rancheras are, right?) gets some pretty nifty cinematography and sassy moments and lyrics, there’s one thing that Ram-Leela has~~~ and that is Supriya Pathak.

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Are! Mashallah, mashallah~

UMPH!

All credits to Tea Mint.
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Oh.mah.gosh.

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It’s a battle of the horse-riding sword-brandishing tough ladies that -actually- existed in real life, with lives brought onto the silver screen, beautified while being personified by THE faces of their own Golden Eras.

In the case of Greta Garbo, of course, with Hollywood in her most fun and most relaxed Queen Christina, often mistaken for a man and featuring the infamous scenes of Garbo kissing a lady and being romanced by John Gilbert while in mannish get-up. Then there’s the Mexican and Latin movie classic diva La Doña Maria Felix as Catalina Erauso, escaping a convent and dragging it up as Don Alonso, making the ladies of the Peruvian Viceroyalty swoon in La Monja Alferez, with a twist ending to match Some Like It Hot.

And to quote Toni Collette:

We’re women dressed as men dressed as women!

This is a tough one. I do have a terrible Greta Garbo bias, but I think I’m handing it down to La Doña on this one. Maria Felix is like the awesome fusion of everything that’s good with both Greta Garbo and Joan Crawford.

I’m still not so sure about Miyavi’s lyrics in English, but I do appreciate the fact that he tries and works the field for non-Japanese fans. Very much appreciated~ I will always remember his concert, and attending it with my father.

But Miyavi and his guitar, man. That goes beyond language.