Archives For Graphics

Oh.mah.gosh.

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It’s a battle of the horse-riding sword-brandishing tough ladies that -actually- existed in real life, with lives brought onto the silver screen, beautified while being personified by THE faces of their own Golden Eras.

In the case of Greta Garbo, of course, with Hollywood in her most fun and most relaxed Queen Christina, often mistaken for a man and featuring the infamous scenes of Garbo kissing a lady and being romanced by John Gilbert while in mannish get-up. Then there’s the Mexican and Latin movie classic diva La Doña Maria Felix as Catalina Erauso, escaping a convent and dragging it up as Don Alonso, making the ladies of the Peruvian Viceroyalty swoon in La Monja Alferez, with a twist ending to match Some Like It Hot.

And to quote Toni Collette:

We’re women dressed as men dressed as women!

This is a tough one. I do have a terrible Greta Garbo bias, but I think I’m handing it down to La Doña on this one. Maria Felix is like the awesome fusion of everything that’s good with both Greta Garbo and Joan Crawford.

Kore, nani nani nani??? Kirei~~~ xD

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Here’s Vishal Bhardwaj’s The Blue Umbrella. I think he’s missing a children’s film to make it a full trilogy alongside Makdee, which -in fact- would make it a Little Girl’s Trilogy. Come on, do it, Vishal. Pick another girl and pair her against another great actor. My pick is Naseeruddin Shah.

The introduction to this movie against the snow is very reminiscent of Iwai’s Love Letter. o-genki desuka? Why the random link-up? There’s random Japanese in the movie. xD What Japanese tourist travels with their Japanese-styled umbrella? xD

Since I got my computer back (and found a set of hindi fonts too), I’ve been playing around with a basic Rani Mukerji Fake Criterion collection. I decided to skip Kabhi Alvida Naa Kehna, but include Aiyyaa. I actually like the movie a lot more than I initially did. Plus, it’s not a supporting role, so it beat out roles in Yuva, Bombay Talkies, Veer-Zaara, Kuch Kuch Hota Hai or Talaash.

Fake Criterion Collection: Rani Mukerji - Aiyyaa Fake Criterion Collection: Rani Mukerji - Black

Fake Criterion Collection: Rani Mukerji - Laaga Chunari Mein Daag Fake Criterion Collection: Rani Mukerji - Paheli

Serious dramas lend themselves out for cooler Criterion covers, though I must admit that I liked the disorder in the Aiyyaa cover. And I have to apologize for the Laaga Chunari Mein Daag, I just couldn’t think of any particular symbol from the movie… but at least I got to test out that new (tricky) hindi font.

I think I might do a Sanjay Leela Bhansali set.

Ugh, I love these guys together.

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Soooooo much.

Last night, I got the chance to watch a Nora Noh documentary, simply titled Nora Noh. She is Korea’s first fashion designer to ever put on a fashion show in the country. There were some highlight comments, like when Seo Eun-young points out all these Korean celebrities are trying to ride the Korean Wave, when the wave has already been ridden by Nora. Way back when there was no wave.

There was also the comment on Korean pedigree when paying foreign creative directors, makeup artists, photographers, models, etc. more just for being foreign, when they all have talented people in Korea.

I need to gather my thoughts~

And though the docu has an official poster, I played around with some photos… because I got my computer back.

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That would be… a triple poster~

I preferred the single sketch poster (3), I think.

I don’t think there’s been any significant update since April [1], but since my internal hard disk got busted after a sudden power outage, I lost my last mindmap. Instead of recreating it, I revamped it with some clean-up names and added some others. The clean-up? I got rid off Aishwarya (at least, until I watch other films of her), Nana Patekar (haven’t seen him in a while), same with Arshad Warsi, Sanjay Dutt. Got rid off Kareena, Sonakshi Sinha, Abhishek Bachchan, Anushka Sharma, Ajay Devgn, Salman, and Preity.

Only filmmaker to go is M.F. Husain, because- well, no more films. Also, there’s more order, because I’m lumping all Karan Johar directed or backed projects on his hub.

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It’s been a year yo! [1]

Objectively speaking, though I love Tabu with all my fandom heart, I gotta admit that Rani Mukerji is the best movie hub to start out. The only thing she’s missing, really, is films with these other directors like Vishal or Vikramadytia Motwane. I doubt Imtiaz Ali would ever cast her in anything- besides, most his movies… though decent, are quite overvalued. Especially RockStar. And she was >THIS< close to getting to The Namesake, that really…

Rani’s got Bhansali, Hassan, Balan, Konkona and Nawazuddin Siddiqui. That’s of course on top of Shahrukh Khan, Aamir (and the other two Khans), Mani Ratnam, Juhi, and family connections aside, Kajol. And look at the times she’s worked with Amitabh Bachchan… and even son. That’s basically the whole contemporary commercial Indian film spectrum.

Tabu, on the other hand, has Vishal Bhardwaj and Gulzar, sure. She would also get Hassan (though not at his best), and Konkona… as well as Mani Ratnam, Amitabh, and Juhi (in her leading lady days) — probably more crossovers like Govinda and Salman. She also has Mira Nair and Ang Lee in her bag (though not strictly Indian-verse), and a whole bunch of regional films… but they’re more Telugu than anything else. Then there’s Nagarjuna. She had that symbiotic film-relationship to Madhur Bhandakar, whose career isn’t very good at the moment, though I thought Heroine improved in the horrible story treatment he had in Fashion.

I haven’t dared to watch Juhi’s earlier filmography because there’s so much early Aamir, and I’m not a fan of him in those days or Indian commercial films in general. Confession: Hum Aapke Hain Koun…! and Hum Saath-Saath Hain are pretty bad. Both the same director, a director Tabu wants to make a new comedy with. Not a comedy with Rajkumar Hirani, or a Motwane-backed project like Queen or Hasse Toh Phasee. She wants the dude that gave you Salman.

I’m becoming one of those fans that question her film choices. xD Having said that, I am still looking for Idee Sangati (or however you romanize it). I know Telugu films aren’t my thing, and not even Manam is changing my position, but I need to watch that movie.

It’s been a few years since I did a “what I like about” post [1][2], and considering that it’s been one full year since I officially started watching Indian films, I thought it’d be great to look back to see What I Like About Bollywood– pardon me, Indian Films.

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Continue Reading…

Chris Li Yuchun, Amber, Jing Chang and BiBi together one one stage for once in my life. Not even performing together, just standing one next to the other.

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… or maybe I’m just projecting too much, but I thought 2013 had a lot of Father/Son-Daughter relationship movies. Even when it wasn’t literally a blood-relation, like in the more clear case between Idris Elba and Rinko Kikuchi (et Ashida Mana) in Pacific Rim, or the more blurred relationship between Jiao Xu with Mr. Go in Mr. Go.

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I cried in a couple of these ones, but I won’t tell you which. LOL

From left to right, top to bottom: Koreeda’s Like Father, Like Son; Miracle in Cell No. 7; Metro Manila; Pacific Rim; Saving Mr. Banks; Silent Witness; About Time; Police Story 2013; Instructions Not Included; and Mr. Go.

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Partly translated in English~ but fully in Español at Cinencuentro.