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7 years — SEVEN FREAKING YEARS! — after starring on Yuki Tanada’s One Million Yen Girl, Yu Aoi is finally going to star in a new movie as a lead. The lucky production? An live-action adaptation of Yamauchi Mariko’s (山内 マリコ) book AZUMI HARUKO wa Yukuefumei (アズミ・ハルコは行方不明), which translates to Azumi Haruko Is Missing, which will be directed (and most likely adapted) by Daigo Matsui (松居大悟).

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My Japanese is going to the gutter. lol

BUT! The internet (meaning me) is all excited about it! Actually, I see a lot of tweets on it, but I’m too lazy to read or google-translate them, so I will just pretend we’re all excited about this.

YesAsia has an “English title,” and lists it as Lonely Girl Has Gone.

I don’t know what the book is about, if you do- tell me. Other essential info? Apparently it started shooting in mid-September, and it’s set for a 2016 release.

Sources: Natalie, Yahoo JP. Big version of this photo on Eiga.

Tell me the truth- did you miss this enthusiastic me? All these up to date project announcements take me back years into fandom when we all used to talk about all things Yu! Anyway, the latest in one of the few project announcements in Yu Aoi’s repertoire [1][2] is that she’s set for Nobuhiro Yamashita’s latest film titled Over Fence (オーバー・フェンス), which is an adaptation of a story in the anthology Kogane no Fuku (黄金の服) by Sato Yasushi.

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The film also stars Odagiri Joe and Shota Matsuda.

Over Fence completes a trilogy based on Sato’s stories, beginning with Sketches of Kaitan City (海炭市叙景) and The Light Shines Only There (そこのみにて光輝く).

Sources: Eiga.com, Film Business Asia

You never really know with katakana spelling… is it Spokane’s Left Hand (スポケーンの左手)? If I hadn’t googled スポケーン, I would’ve totally thought it’s “spoken,” but apparently this brand new play is based on the 2004 Academy Award-winning Irish comedy short by Martin McDonagh, which starred Brendan Gleeson — Gleeson’s son, Domhnall Gleeson… now, sorta famous in his own right, also shows up. Watch it here.

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The play also stars Nakajima Shu (中嶋しゅう) — in, I suppose, the Brendan Gleeson role, Song Ha (成河) – as Rúaidhrí Conroy, and Okamoto Kenichi (岡本健一) – as the man on the train.

source.

Spokane’s Left Hand will be running from November 14 to Novemeber 29th at the Theatre Tram in Tokyo. Tickets are available at Ticket Pia at Y7,800.

Yu’s officially three-decades-old… but still is as cute as ever, even though she’s trying to be all grown-up and stuff. Just sit her in front of a nice matcha shaved-ice with red beans (or a velvety choco-purin), and you’ll get her all giddy.

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That’s exactly what happened when promoting Dr. Rintaro on the Japanese variety Pon! with co-star on-screen mom Atsuko Takahata, who -I must say- is hilarious, too. These are obviously via the Yu Aoi Chinese fans. Watch the video. It’s 10min. long and it takes a while to load (for me).

She also did the Lilo & Stitch voice-over event [1], and apparently got back together with someone from her Oha-girl days, so they did an Oha greeting! lol

Oh, man. I remember how much I used to love Yu-chan. xD I think I’m going to watch Climbing to Spring without subs, and hope to watch The Case of Hana & Alice now that it’s out on DVD.

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– Master, I wanted to see someone, but couldn’t.
– Have you not seen him in your heart?

Perhaps Love~

July 12, 2015 — Leave a comment

I, of course, also ended up finally watching Peter Chan’s Perhaps Love (如果·爱), which is China’s -possibly- only formal foray into the musical genre. They were probably so into Moulin Rouge! and Chicago at some point, they got Farah Khan to whip some of her Bollywood 90s magic. You can see all the influences.

But, of course, Chinese people don’t believe in happy endings… even in musicals! Farah Khan probably watched this and was bored out of her mind because she probably doesn’t get us tortured East Asian souls. I did buy into all the grown-up lamenting love story.

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To misquote Ron- I want to suffer, but I want to be happy about it.

*swoon*

Sense8 really took me back to As If. xD

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One go, not much thinking and over-thinking. Yup, this looks about right.

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  • 2000 – Crouching Tiger, Hidden Dragon
  • 2001 – Moulin Rouge!
  • 2002 – Gangs of New York
  • 2003 – The Lord of the Rings: The Return of the King (because I have to)
  • 2004 – Finding Neverland
  • 2005 – Munich
  • 2006 – Letters from Iwo Jima
  • 2007 – There Will Be Blood
  • 2008 – The Curious Case of Benjamin Button
  • 2009 – District 9
  • 2010 – Toy Story 3 (because you HAVE TO)
  • 2011 – Midnight in Paris
  • 2012 – Life of Pi
  • 2013 – 12 Years a Slave
  • 2014 – Boyhood

I struggled a little with LotR and (maybe) Toy Story, but I’ll give it to them anyway~ I’m also a bit lukewarm about Finding Neverland and Midnight in Paris, and I totally warmed up to Life of Pi… though I don’t mind Argo. With Boyhood over Whiplash (despite me liking the other one better xD), it makes the list a lot more larger than life.

o-hisashiburi desu, Yu-chan~

It’s really been a long time since the last time I saw you SAW-YOU, thuogh it’s only been a year since Wakamono-tachi. So much time that your hair is no longer short. LOL I still got plenty of movies to catch up with, but it’s good to see you as an Osen-san-meets-Omoto-meets-Mina type of character. I’m not sure how Dr. Rintaro is dealing with the topic of clinical depression, considering how Asians view mental illnesses… but I’m interested in seeing why your character acts the way she does- is it Dissociative Identity Disorder (DID)? Or are you just blowing Dr. Hinorin off xD
Also- can’t complain when this thing happened:

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Many more screencaps and some GIFs below the break~

Continue Reading…

Ah~ I thought I would do a post compilation of the Chulpan Khamatova TV serials that I’ve been able to find on YouTube. Starting with these two~ Children of the Arbat (Дети Арбата) and Pepel (Пепел). I’ve seen Pepel with Google translated subtitles, but I haven’t seen Arbat yet, as subtitles online are incomplete.

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Here we go:

  1. Children of Arbat
  2. Doctor Zhivago – Доктор Живаго [review]
  3. Dostoevsky – Достоевский [review][español]
  4. Pepel