Seriously… it’s 3 times this long.
IMDb needs to figure out a way to handle their forum activity. Either by a voting up comments system, and / or a way to gather points a la Intense Debate.
Search Results For "imdb"
Does anyone know the criteria on how IMDb moderates their posts? Most importantly… its threads?
You see, I saw YPF over the weekend. Yes, dubious~~~ But I’m so gonna buy it! So there was this “talk dirty scene” with Carly Pope and Aaron Abrams from the segment “Friends” I knew the scene was in, but it still makes you burst out laughing.
Anyway, I went to the IMDb boards and someone created a thread about it over the weekend, so it was a surprise to visit and find that the thread has been completely wiped. Thoughts? Censoring, or spoilers?? The film is calle Young People Fucking, for dude’s sake!
So I invite you to talk about the film (specifically the ‘talk dirty’ scene) in this post. Does anyone have the quote? LOL’
Having debuted back in 2022 under the name Song Soowoo (송수우) with the edgy-sounding song Love Me or Hate Me [MV], Song is back under the name NINA (니나) [almost impossible to look up without running into other Ninas] with the music video for Love Like This, directed by Jonah George.
Alt link available at Super Sound Bugs!
Which, if you’ve seen the Bugs thumbnail on YouTube, looks Yu Aoi-inspired. I say Yu Aoi-inspired, because it’s mostly Yuki Tanada’s One Million Yen Girl and heavily references Shunji Iwai’s Hana & Alice for obvious shots. However, it also heavily references Iwai’s 1995 Asian hit Love Letter which has inspired a whole generation of filmmakers [1][2] and idols.
After years [1][2][3] of data; Yes, it’s Mamamoo’s fault. The positives, though, I have registered 31 more hours than I did last year with an extra 18 movies. My movie-watching in general got better because I managed to watch 132 brand new 2018 movies (compared to the 103 in 2017).
This year, I didn’t make any particular movie goal. Though, some of my favorite movies this year were Indian, as reflected by my latest highest ratings. No one has been able to surpass my love for Rene Liu’s Us and Them so far, though. It’s been an incredible year for… not movies made by Netflix, but they have expanded their distribution library enough to make it interesting.
My goal for this year is to increase the titles I watch; seeing that from this interview at Film Independent, the guy from IMDb states that “You should feel disappointed if you haven’t seen 700 movies in a particular year [laughs].” O.o I don’t feel half bad about registering half the amount of movies the guy from IMDb watches. Just saying.
I was just staring into space in the middle of the night, unable to sleep, and it hit me that it’s been ten years— It’s my 10th anniversary for a lot of things: it’s my tenth anniversary of Juri Ueno~~~ and Last Friends turned 10 this year! It’s also ten years since the Beijing Olympics, ten years since Beijing, Beijing! Wo Ai Beijing; it’s been ten years since BiBi, ten years of YAM Magazine, and ten-mother-freaking-years since I became a fan of Yu Aoi [1][2][3][4][5]. It didn’t come in this order, but you get the idea.
May 16th is the date. Remember that. This should’ve been posted that day, but I’m way to giddy to wait. It’s taken me a long time to sit down and look back at years of archives to update this entry, but I suppose it still beats trying to figure out how to write a comprehensive Wikipedia entry.
Yu-chan and I, we’ve had our ups and downs, but I’ve always tried to stay as loyal as possible. LOL I may not stalk her tags online 24/7 (all my Japanese sources in English are rubbish now) and my Japanese skills are in the gutter, but I’ve managed to remain the biggest English/Spanish-speaking Yu Aoi fan in this side of the hemisphere (if not the world, xD). It’s been a good ride, Yu-chan. I’m looking forward to all the catching-up of all your latest movies. Here’s to another decade with Yu!
Cheap Yu-puns intended~
I’m not a social media fan, though I do spend a lot of time posting links on the YAM Magazine Twitter account. Less active on Facebook, though I regularly use my own profile. No Instagram or any other site. I’m mostly active on movie websites— still active on IMDb, because they make searching for stuff easier [year, country, language, etc. filters], still active on MUBI (and helping with profiles and database submissions), and Letterboxd coz they help keeping an orderly diary of movie-watching.
No longer have music sites, and Living Social FB apps have long gone.
I’ve always been reluctant in creating new profiles, new accounts, new emails and different passwords. However, my level of obsession with Mamamoo has reached such point that I finally logged in V Live with my real-life identity, and though I’ve only left like 3 or 4 comments (so far), I’m a Level 5. Each artist you follow starts with a Level 1, adding points by watching videos, leaving comments and who knows what else, but I digress~~~ I wanted to comment on V Live as a platform. I’m amazed by it. I don’t exactly know why. I’ve seen countless of web stream concerts [1][2], I’ve seen a couple of Facebook Live sessions, but somehow V Live sessions make me feel closer to artists.
Of course, they can start a random session just like in Facebook, though FB is always a 1:1 ratio, no? There’s comments, and the artist can actually reply to your comments, which is something V Live doesn’t have since comments are live, they scroll as they keep coming just like in a YouTube stream. But YouTube streams always seem so impersonal, more like online TV broadcasts, which is actually GREAT for TV broadcasts [KBS World 24][KBS World]. Add to V Live multi-camera broadcast, HD quality, multilingual subtitles and there’s just this added something to it.
I recently saw Brown Eyed Girls’ JeA’s Orgel Live with JOKER, a 50-min multi-camera phone shot in portrait. I didn’t watch it live, because the show began at 6AM, but the replay was available quite fast — in probably just a few couple of hours — with subtitles in English, Chinese, Viet and Korean; and available auto-translate for others like Spanish. They started reading some of the comments, I lamented not being able to say hi to JeA [this is what I’m talking about], and proceeded to perform a couple of songs, while also going through the live comments.
Fans are also allowed to give ‘hearts.’ Though, I haven’t actually figured out how to give hearts (it’s not by clicking the heart icon, lol), I supposed it’s just pasting hearts in the comments, and that’s why users can give multi-hearts all around. Since a video can have 200k views and one million hearts. :P
And apparently, if you have the V Live App, you can chat with your faves. I don’t have mobile, so……………….
If you could do this for movies, it’ll be amazing. About 8 years ago, I wrote a proposal for screening movies like this xD but I didn’t know how to go through with it. Imagine you have a screening event, fans gather online 30min. before the movie begins, they chat among them. The movie streams, and afterwards there’s an online Q&A with the cast/crew. Because videos from the Q&A and the movie to be screened are different video sources, you can only have the Q&A available for replay instead of the movie.
See? Someone make it happen.
Oh, my gosh~ I just found this out while browsing Yu’s IMDb, and has left me incredibly disappointed with what used to be my English-based sources of Japanese cinema news- Yu’s shooting a movie, Geek, with Italy’s Giuseppe Tornatore, who’s obviously most known for his classic Cinema Paradiso.
Interlinea Film reports that the first section of shooting in Venice was done back in March, while shooting in Japan would be at a later date. I’ve seen people on Twitter posting about Yu Aoi at some recent shootings [1][2]. I wonder if it’s related to this.
Interlinea Film also attached this photo~
A few items on Yu Aoi’s upcoming film, which we are calling The Lonely Girl Has Gone, but it should be noted that IMDb has it listed twice— one as Japanese Girls Never Die, and the other as Haruko Azumi Is Missing. Therefore, there is no official English title for the movie, despite the book being listed with the name in YesAsia [1].
According to Eiga.com, the film is set to close this year’s edition of the Shinjuku Cinema Qualite Film Festival (新宿シネマカリテの映画祭) in Tokyo, as part of the Qualite Fantastic! Cinema Collection 2016 (カリテ・ファンタスティック！シネマコレクション2016) presenting 71 films from 16 countries… including Taiwan’s Our Times [Trailer], which I totally recommend for a fresh rom-com.
The collection will be presented from July 16th to August 19th. In addition, there will also be presentations at Cine Libre Umeda (シネ・リーブル梅田) in Osaka between August 6th to the 26th, and Nakagawa Corona Cinema World (中川コロナシネマワールド) in Nagoya, Aichi, between August 6th to September 2nd.
I also ran…
It’s tomorrow, but still~ worth a mention!
I also updated my Yu Aoi Films Ranked post with an Umineko watch, which was better than I was expecting from its IMDb rating. It’s totally worth the 6.5-7 rating on Douban, though… even if Yu-chan is barely in it. The subtitles available are poor, though, but they make do~
I can’t believe it’s been 8 years since. Last month I remembered Last Friends and Juri Ueno, and all my Asian entertainment fever years, which is coming back, I can feel it. Going to Japan, having Kirin Tea, Calbee potato chips, getting JiNS Air Frame glasses, eating tokoroten~ the whole fan experience. lol
So~ to celebrate this fan-niversary, here’s an image of Yu-chan in her Oha-garu days~
I’m maybe one of two (or three) people that actually liked Ghaath. Actually, scratch that- IMDb is showing me that, at least, 20 people have voted this movie over 6. So there you go, we’re about 20 people. But maybe I have a strong bias, the film has a political moralistic theme of the late-90s early 00s era but avoids the masala shenanigans for the most part, it also has Anu Malik music — with two great songs that I enjoy — and the chemistry between Tabu and Manoj Bajpayee, who are also getting back together this year (after Salman in Jai Ho, Ajay in the upcoming Drishyam).
When a titillating item song comes on screen, I’m usually the one rolling my eyes at some of the embarrassment… and the Telugu film industry has usually taken the cake when it comes to silly sexism. Not even Tabu can escape it (her number in Pandurangadu gets the crown with that orange juice moment). However, I do remember the first time that I ever gasped seeing a Bollywood movie because *gasp* They kissed! It was the Chup Chup Ke [clip] number in Bunty Aur Babli. It was before I realized I did enjoyed seeing Abhishek and Rani together [1], but they were always married on film!
In the number for Teri Aashiqui Meri Zindagi, Tabu’s character is never married to Manoj’s, they fairly recently met at their family/friend’s wedding and had their moment in Hum Bhi Samajh Rahe Hain [clip] — there sure is a lot of rain and white-wearing caressing and singing, but it’s just playful boy-meets-girl girl-meets-boy, a lot of face-touching… but never EVER an engagement or wedding, yet… yet… there’s this 20-second love-making behind a torn down hellenistic column that results in a baby. LOL
There’s all sort of face and neck action foreplay (I’m like “Omo, omomomomomo I swear she’s licking that neck“) before the hellenistic column action, as well as the obvious after scene.
Of course there was a baby. There’s never a sex scene in these movies that doesn’t end with these consequences… it happens here in Ghaath, as it happens in Raiou.
